Author: Donnie Kemp

Review: ADE – Rise of an Empire (2019)

Italian death metallers continue to tell the story of their forefathers on album number four. In the niche-world of Ancient Roman metal bands Ade, along...

Review: Fit For An Autopsy – The Sea of Tragic Beasts (2019)

US deathcore/post-rock originals continue the upward trajectory of their recent releases on genre-defining album number five. Once this album was in the can I visualise...

Review: ALICE COOPER, THE STRANGLERS & MC50 @ Resorts World Arena, Birmingham 11/10/2019

Donnie & Andy take in their annual Alice Cooper gig and this time he has brought some very special friends along for the ride. I...

Review: Possessed – Revelations of Oblivion (2019)

American purveyors of death metal magnificence Possessed release their latest studio album a mere 33 years since their last.  Not many things could be...

R.I.P. Roky Erickson (1947 – 2019)

Legendary 13th Floor Elevators frontman passes away at the age of 71 Maximum Volume Music is saddened to report the one of rock music's true...

Review: Yngwie Malmsteen – Blue Lightning (2019)

Swedish guitar uber-lord delves deep into blues, or a modern slab of it, as he provides his unique take on music that has inspired...

Review: Usurper – Lords of the Permafrost (2019)

Chicago metal heroes return from a 14 year self-imposed exile to remind the modern scene of what they have been missing with their sixth...

Review: The Lunar Effect – Calm Before The Calm (2019)

London new boys The Lunar Effect draw from their influences and paint their own psychedelic debut masterpiece in eight glorious tracks and over thirty-five...

REVIEW: HOLYGRAM – MODERN CULTS (2018)

German post punk gothic new wave five-piece tap into the genre’s finest exponents on their debut full-length release. A brief but eerie and atmospheric interlude...

Review: Behemoth – I Loved You At Your Darkest (2018)

They’re back!!  The unholy titans of blackened metal return from the critical and commercial success of The Satanist and are showing no signs of...

Review: Deicide – Overtures of Blasphemy (2018)

Death Metal standard-bearers return with uncompromising and punishing new release.  Is album number twelve the one to return the kings to their throne? The Floridian...

REVIEW: SKELETONWITCH – DEVOURING RADIANT LIGHT (2018)

American extreme metal maestros have been assaulting the senses for 15 years and their sixth full length studio release sounds like they are only...

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