Twin Temple’s “God Is Dead” is an audacious dive into the realm of satanic doo-wop, a genre you never knew you needed in your life. Currently touring with Behemoth, they’re making quite a storm, and I can see why.
Straight to the point, “God Is Dead” is intentionally offensive, and that’s its power. As someone who isn’t Christened and might be destined for hell, Twin Temple’s provocative style feels right at home with me.
“Burn Your Bible” channels Phil Spector’s wall of sound with astonishing execution. Alexandra James’s vocals are truly remarkable, and the harmonies on “(Falling For A) Fallen Angel” are sensational.
“Let’s Have A Satanic Orgy” takes you on the weirdest musical journey, with gypsy jazz vibes, ending in a wild demonic crescendo. The Ronettes-inspired harmonies on “Two Sinners” are beautiful and mysterious.
It’s part magical moments and part Tupperware party at Satan’s place, but with a twist that I don’t recall the words: “Maybe I’ll close my legs and give myself to Christ at my mums’ ones in the 80s. The sax solo adds a fun touch. “Spellbreaker” rocks in true ’60s style with a spoken word bit reminiscent of “Leader Of The Pack.” Although the identity of the pack leader remains a mystery – it’s probably Satan.
“Be A Slut” might sound like a rock ‘n’ roll anthem, but it carries a serious message: “don’t try and tell me what to do with my body.”
The title track, “God Is Dead,” is an absolute showstopper. It’s a singalong anthem that exclaims, “I’m so happy that God’s dead.”
Critics might argue that Christianity is an easy target here and they wouldn’t do this to other religions, and there’s some truth to that. Nevertheless, if you find this offensive, maybe you’re meant to.
“God Is Dead” will either be the most hilariously audacious album of the year or the most sacrilegious, depending on your perspective. There’s no middle ground. Guess where I am.
Rating 9/10
