It’s rare for an album to reveal its secrets in the title, but “21st Century Juke Joint Blues From Easy Eye Sound” does just that.
If you need a quick catch-up, here’s the scoop: Dan Auerbach (of the Black Keys) is a highly sought-after producer, and his Easy Eye Sound Studio seems to work musical magic, consistently producing superb tracks.
In a recent review of an album by Korean-American blues artist Nat Myers (a discovery of Auerbach’s), I got very excited, and “Willow Witchin'” not only epitomizes Myers’ work but also encapsulates the album’s wider vibe.
Released in 2023, this album seems to transcend its era. One could even concoct a Q-Anon-worthy conspiracy theory that these 12 tracks were unearthed from a time capsule, originating 60 years ago.
Take “Coal Black Mattie,” for instance. It’s a new song, but is it really? It feels like a throwback, reminiscent of old blues anthologies. R.L. Boyce’s contribution exudes authentic vibes.
Lets get doen to brass tacks. Hidden toward the album’s end is an unreleased gem from the Black Keys. The anticipation is akin to kids on Christmas Eve, and “No Lovin'” lives up to the excitement. Fuzzy, woozy, and boogie-woogie, with a screeching guitar solo that’s the pièce de résistance.
Also, discover a previously unheard Dan Auerbach original. Imagine a blend of Iggy Pop’s “The Passenger” and “Son Of A Preacher Man,” resulting in the quirky, slightly unsettling, yet infectious “Every Chance I Get (I Want You In The Flesh).”
The album boasts unfamiliar names like Robert Finlay, a Louisiana native with an incredible story, contributing the powerful “Tell Everybody.” Meanwhile, The Moonrisers bring primal energy to “Tall Shadow,” and Jimmy “Duck” Holmes adds a layer with his mono-recorded “Catfish Blues.”
Gabe Carter’s “Anything You Need” showcases his road warrior spirit, while “Bufalo Road” shines even brighter in its rawness. “Don’t Let The Devil Ride” adds a dollop of soul courtesy of Leo “Bud Welch.”
Two more tunes feature Glenn Swartz, a mentor to Auerbach and The Eagles’ Joe Walsh. The standout is “Daughter Of Zion,” featuring Walsh, a posthumously released track after Swartz’s passing.
The final Swartz tune on the album harkens back to the Dustbowl era, its raspy voice reminiscent of Malcolm Holcombe. Ultimately, this 45-minute masterpiece highlights Easy Eye Sound as a haven for Auerbach’s musical passions, unearthing incredible talent and coaxing brilliance from established stars.
As for this album? You can confidently “Tell Everybody” that it’s nothing short of marvelous.
Rating: 9/10
