With “Morph,” the Ellis Mano Band don’t just return—they elevate. This is a record that feels both rooted and restless, steeped in American blue-collar spirit yet unafraid to shift gears. Think Springsteen’s grit, Petty’s heart, and a whole lot of arena-ready soul.
Once again, it’s Chris Ellis’ astonishing voice that pulls you in. He doesn’t just sing—he commands. On tracks like “Flesh And Blood,” his deep, velvety tones wrap perfectly around the melodies, while the more stripped-back “20 Years” trades rock muscle for a folky vulnerability without losing an ounce of quality.
There’s a cinematic sweep to the album. “For All I Care” starts with a raw wail and slowly builds into a widescreen epic—one that wouldn’t sound out of place on a Deep Purple setlist. That connection makes perfect sense, especially as Lukas Bosshardt’s keyboard work evokes classic Don Airey with style and weight.
“Scars” slides in with a touch of soul, flirting with King King’s bluesy groove, while “Madness and Tears” is a masterclass in tasteful rock: slick, confident, and quietly classy. “Ballroom” changes the pace again, a ballad soaked in melancholy and carried by elegant, restrained musicianship.
“Stray” leans into a southern rock swagger with soulful undercurrents, and “Countdown To Nothing” brings the organ roaring back, driving the song with urgency and a sense of impending drama.
Then there’s “State Of Grace”—an epic distilled into just three minutes, proving the band can say a lot with very little. The album closes with a live version of “Fight For Peace” that captures the raw energy of their stage presence. Edis Mano’s solo on it? Simply electric.
“Morph” is the sound of a band in full command of their identity. Refined yet powerful, heartfelt yet muscular—this is rock music made by people who live and breathe it. The Ellis Mano Band aren’t trying to follow trends. They’re too busy setting their own standard.
Rating 8.5/10
