It’s funny how time flies. Eleven years have flown by. That’s how long it’s been—or it will be in the autumn—since I first saw Blues Pills.
Now they return with “Birthday,” their first album in four years since “Holy Moly.” This album showcases a striking evolution in their sound, just as the previous one had.
From the outset, it’s clear that the band has ventured into new(ish) territory, infusing their music with a heavier dose of soul and a palpable sense of defiance.
The title track kicks off with a stomping, quasi-disco vibe, setting a bold tone for the album. Ellin Larsson’s declaration, “I just don’t give a damn anymore,” is a testament to the unfiltered, raw energy that permeates the record.
This vigour carries into “Don’t You Love It,” a track that underscores the importance of soul in the band’s current incarnation. The transition to a more soulful sound is evident, and it feels like Blues Pills have morphed into “Soul Pills” on this record. “Bad Choices” is drenched in soulful rhythms and speaks to the band’s newfound independence of thought.
Erin Larsson’s vocal prowess shines through in “Top Of The Sky,” a track that also features swirling harmonies reminiscent of the band’s earlier work. “Like A Drug” further bridges the gap between the new and the old, melding their signature style with fresh influences.
“Piggyback Ride” stands out as a mid-album highlight, bringing a rock ‘n’ roll
brew. that’s hard to resist. The guitar solo (from former bassist Zach Anderson) alone is enough to captivate and showcases the band’s instrumental prowess.
A notable shift in tone is evident from the opener, with “Holding Me Back” featuring a rant that reveals more anger than we’re used to from Blues Pills. Larsen’s frustration is palpable, making it clear that anyone trying to cage her spirit has a formidable challenge ahead.
The emotional revamp continues with “Somebody Better,” which opens with the poignant line, “I’ve never been that happy.” This track hints at the band’s search for something deeper and more fulfilling, yet their ability to craft memorable choruses. remains unwavering, as seen in the anthemic “Shadows.”
“Back On The Horse Again” provides a piano-based melody with harmonies that build anticipation for an explosive release, ultimately delivered through a powerful guitar solo. The album concludes with “What Has This Done To You,” a track steeped in world-weariness and anger, reflecting the band’s transformation and deeper emotional landscape.
“Birthday” is not just a collection of songs but a statement of growth and change. Perhaps it is because Erin was pregnant while recording it, and nothing would ever be the same, obviously.
Regardless, Blues Pills have evolved, embracing a more soulful and raw approach while retaining the essence of what made them so good so early. “Birthday” is very much them, but it is a step on their journey, filled with unfiltered emotion and an undeniable spirit.
Rating: 8/10
REVIEW: BLUES PILLS – BIRTHDAY (2024)
Published:
