Blood Red Shoes have today shared their explosive new track, ‘MURDER ME’; the third release from their upcoming album, ‘GHOSTS ON TAPE’.


Produced by Grammy nominated producer Tom Dalgety (Pixies, Royal Blood) and recorded at Echo Zoo Studios in March 2020, the band’s latest offering epitomises their obsessions with true crime podcasts, stalkers, serial killers, and murderers.

“The intrigue and mystery of them, the fascination of the humans on the outskirts of society and the harm people can do, the weird romance and darkness of outsiders, the threat and fear that it could happen anytime; that obsession has spilled over into many of the songs on this album, especially this one.” explains Steven Ansell.

The track itself echoes this obsession as it begins emphatically with a menacing riff, slamming the listener from the outset. Ethereal, ghostly vocals from Laura-Mary Carter lead into a stomping chorus that documents the inner thoughts of a murderous stalker; with both Carter and Ansell joining in harmony to sing the terrifying lyrics: ‘I’ve been watching you…’. In all, ‘MURDER ME’ truly affirms the notion that GHOSTS ON TAPE will be an album rich in sonic ingenuity and mystery.

The huge sound of this track and the preceding ‘I AM NOT YOU’ and ‘MORBID FASCINATION’, tease what’s to come from a project that has really brought the band closer together, both geographically and artistically. After years spent living on opposite sides of the Atlantic world events threw Ansell and Laura Mary Carter of Blood Red Shoes back together into what has become the most fruitful era of their 17 years together.

“It’s been a loooong time since we both lived in the same city”, explains Steven. “I mean we actually wrote this album in LA at Laura’s place, then came to the UK to record it…and then everything went nuts”.

Realising very quickly that they wouldn’t be able to release the album or tour until the world returned to some kind of normality, the band found their energies quickly spilled over into other projects. Laura-Mary started a podcast, Never Meet Your Idols, with her best friend in LA, interviewing everyone from Zack Snyder to Mark Lanegan to CHVRCHES. It is now about to start its third season. Steven started applying his love of electronic music by writing and producing other alternative artists like Circe, ARXX, Aiko and XCerts, racking up millions of streams in the process.

Having worked together on Laura–Mary’s forthcoming solo mini album Town Called Nothing and restless from the lack of touring, the duo started jamming out in rehearsal rooms, which led to the light-speed writing, recording and release of the impossibly-titled Ø EP in the summer of 2021. Which concludes what the band call an “off year”.

And that brings us back to GHOST ON TAPE. It appears that like David Lynch’s The Lost Highway, nothing is linear in the world of Blood Red Shoes. Written and recorded before their most recent EP, GHOSTS ON TAPE is a huge jump into new terrain for the band. Musically and emotionally their most mature work, it is a complex, imaginative, and very gothic development on their sound. Musically, it leaves almost no trace of their former selves.

“We’ve always been outsiders right from the very beginning” says Steven. “This album is really about us asserting ourselves as our own little island”, he adds. “We have made an entire career out of being told what we are “not”, of being rejected, of not fitting in, and this album is us deliberately pushing into all of our strangeness, emphasising all of the things that make us different”. Obsessed by true crime and murder podcasts, many songs on the record are told in character and explore the dark psyche of those at the pinnacle of outsiderdom: serial killers. GHOSTS ON TAPE paints a picture of a dark and unsettling world. It is the sound of a unified and confident duo who know exactly who they are, even if the wider world doesn’t really get it. The sound of two people who have spent their entire adult lives making music together and who, more than ever, are finding new pathways for their creativity.

“Ultimately this album is an invitation”, explains Steven. “It’s us saying, this is our world, these are our darkest thoughts and feelings – our ghosts – caught on tape. You are welcome to join us. Come and embrace the strange”.

Finally, the band have also announced a run of UK & European dates in early 2022. The full list of dates is as follows:

18.01.22 – The Fleece – BRISTOL
19.01.22 – Rescue Rooms – NOTTINGHAM
20.01.22 – O2 Institute 2- BIRMINGHAM
21.01.22 – Brudenell Social Club – LEEDS
22.01.22 – Academy 3 – MANCHESTER
24.01.22 – King Tuts Wah Wah Hut – GLASGOW
25.01.22 – St Dominic’s Catholic Club – NEWCASTLE
26.01.22 – Chalk – BRIGHTON
27.01.22 – The Garage – LONDON
29.01.22 – La Maroquinerie – PARIS
31.01.22 – L’Epicerie Moderne – LYON

01.02.22 – Stereolux – NANTES
02.02.22 – Le 106 – ROUEN
03.02.22 – Kavka Zappa – ANTWERP
04.02.22 – VERA – GRONINGEN
05.02.22 – Melkweg OZ – AMSTERDAM
07.02.22 – Tivol Vredenburg Pandora –  UTRECHT
08.02.22 – Muziekgieterij – MAASTRICHT
09.02.22 – Gloria Theater – COLOGNE
10.02.22 – Markthalle – HAMBURG
11.02.22 – Metropol – BERLIN
12.02.22 – Technikum – MUNICH
14.02.22 – Flex – VIENNA
15.02.22 – Tvornica – ZAGREB
18.02.22 – Aurora – ST PETERSBURG
19.02.22 – Aglomerat – MOSCOW