Live from Ed Harcourt’s ‘Wolf Cabin’ studios – HANNAH ROSE PLATT – has unveiled a special session version of her new single: “Feeding Time For Monsters”.


Taking viewers inside the scene where she recorded her upcoming album ‘Deathbed Confessions‘, Hannah is pleased to reveal an intimate session version of her current featured single.

Performing “Feeding Time For Monsters” live from Ed Harcourt‘s personal ‘Wolf Cabin’ studio, the clip sees the artist, producer and studio owner joining the band on bass duties, white Hannah Rose Platt captivates from the front on lead guitar and vox. The live session was recorded with videographer Giada Sponzilli.

Feeding Time For Monsters” is taken from Hannah’s forthcoming album ‘Deathbed Confessions’ out 19th May on Xtra Mile Recordings. A song about the haunted house within all of us, it is one of 12 poetic ghost stories that make up her new album. 

Speaking about “Feeding Time For Monsters” Hannah says:

“If a house represents the psyche – what would haunt the rooms of our very own haunted houses? I explore a mix of my own ptsd experiences and personal ghosts in this song. Ed and I wanted to create a sense of chaos and dissociation with woozy vocals and thrashing guitars”.

A singer-songwriter with a penchant for the peculiar and a multi-instrumentalist who relishes a murder-ballad, Hannah Rose Platt will release her upcoming album ‘Deathbed Confessions‘ on 19th May 2023. Deriving inspiration from the dark, the depraved, and the eternally damned, ‘Deathbed Confessions’ offers a series of poetic ghost stories that could enchant you into an early grave. A concept album inspired by classic horror, from Rod Serling’s ‘The Twilight Zone’, to the BBC’s ‘Inside No 9’, and the balladeer categories of Samuel Pepys‘; Platt distils them all into alternative/folk ditties soused in the supernatural, post/rock vignettes of revenges served cold, and poisonous piano ballads potent enough to make the blood curdle. 

Produced and recorded by Ed Harcourt at his Wolf Cabin Studios, Harcourt also performs a myriad of instruments throughout (Pianos, Drums, Baritone Guitars, Optigan, Backing Vocals, Synths, Percussion), as well as appearing for a co-write on ‘Hedy Lamarr’ and co-vocal on the maritime murder ballad “The Mermaid & The Sailor”. Elsewhere, an array of guest players including the Budapest Film OrchestraCharlie Draper (on Ondes-Martenist) Freddie Draper (electric and double bass), Lester Brown (trumpet), with Gita Langley and Alex Palmer (on strings) all contribute to its unique signature.. Mixed by the highly rated Dave Izumi Lynch, the record was given its glossy finish with mastering by Miles Showell at Abbey Road Studios.

A suite of recordings sure to intrigue, disturb, and haunt you for some time after the needle has left the groove, ‘Deathbed Confessions‘, Hannah Rose Platt’s magnificent Xtra Mile debut arrives on 19 May 2023

22 APRIL – Trowbridge The Pump (w/ Tom Jenkins)
28 APRIL – Cardiff Tiny Rebel (w/ Tom Jenkins)

Website | Instagram | Twitter | Facebook

Previous article
Next article

More From Author


Popular Posts

Latest Gig Reviews

Latest Music Reviews


Band Of The Day