DIABLOGATO – SNAKE OIL SALVATION EP (2024)

Founded in 2014 by two punk rock war horses and two rockabilly demons, Diablogato has always existed on the outskirts of the Boston music scene,...

REVIEW: WIPES – ONE SHOT (2024)

‘One Shot’ is the first album from Wipes. Wipes are a three-piece made up of Clive Ward, Vocals/Guitar, Steve Wilson, Bass and Simon Edwards,...

REVIEW: LIONS IN THE STREET – MOVING ALONG (2024)

Driving between appointments the other day, I had Planet Rock on the radio. The song that was playing was the new one from The...

ONES WE MISSED: TENILLE ARTS – TO BE HONEST (2024)

Tenille Arts’ latest album, "To Be Honest", is a deeply personal and emotional journey, showcasing her evolution as an artist and her unwavering spirit...

REVIEW: BOMBUS – YOUR BLOOD (2024)

I've only seen Bombus play live once. Opening for Graveyard getting on for seven years ago. That speaks to their longevity, for one thing....

REVIEW: WILLIE DOWLING – THE SIMPLETON (2024)

Back in the spring, CJ Wildheart played a show on his solo tour—he played some Honeycrack songs during his set. I'm on record, but...

REVIEW: THE VIRGINMARYS – THE HOUSE BEYOND THE FIRES (2024)

Listening to The Virginmarys' new album this morning for the first time, a thought struck me. In the last decade or so, I'm not...

REVIEW: VON HERTZEN BROTHERS – IN MURMURATION (2024)

The insistent, almost incessant urgency of the opening riff to "The Relapse" means only one thing. Never mind what else you've returned to; in...

REVIEW: SWEET ELECTRIC – THE MONSTERS ARE RISING (2024)

Rock and roll is dead," says the voice at the start of "Heir To The Throne." What follows is basically a middle finger to...

REVIEW: BROTHERS OF METAL – FIMBULVINTER (2024)

Sometimes you can only start in the most obvious place of all, and in this case, there's a track called "Heavy Metal Viking" towards...

REVIEW: MAYFLOWER MADAME – INSIGHT (2024)

Mayflower Madame is a psychedelic post-punk band from Oslo, Norway who comprises Trond Fagernes on vocals, guitar and bass and Ola J. Kyrkjeeide on...

REVIEW: JOY SHANNON – AN CHAILLEACH (2024)

Joy Shannon`s social media states as a  strap line `Pagan folk music on Irish harp, inspired by Irish folklore` which goes some way to...

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