REVIEW : GRACE CUMMINGS – RAMONA (2024)

Melbourne-based Grace Cummings travelled to Los Angeles to work with producer Jonathan Wilson (Angel Olsen, Father John Misty) and dreamed up a lavishly orchestrated...

REVIEW : BODEGA – OUR BRAND COULD BE YR LIFE (2024)

Bands like Brooklyn based Bodega intrigue me. They have been described as being sardonic punks who make art rock for a broken world and describe themselves...

REVIEW: KRIS BARRAS – HALO EFFECT (2024)

Bon Jovi released a single last month. Let’s be honest, the thing was gash. It was awful. In 1986, when I was coming up for...

REVIEW: INDIA ELECTRIC CO.- POMEGRANATE (2024)

My late mother used to love Pomegranate. I could never see the point of them. They were all seeds, and she'd sit there eating...

REVIEW: KYLE KIMBRELL – EASY TRUTHS (2024)

Kyle Kimbrell’s sound has been described as "cosmic American music," that ranges from the swinging front-porch blues to the spaced-out Americana/alt-country, and it’s all...

REVIEW : MI VON AHN – EVERYTHING IS UNTIL ITS NOT EP (2024)

Emotive dream indie rock from the North of Sweden is how I saw Mi von Ahn depicted. This Swedish singer-songwriter has been described by Swedish newspaper...

THE AMPLIFIER HEADS – SONGS FROM THEY CAME TO ROCK (2024)

This record is the soundtrack to executive producer Norty Cohen's immersive rock opera about an alien invasion and its connection to rock and roll. Amplifier Heads leader...

REVIEW: BOB VYLAN – HUMBLE AS THE SUN (2024)

November 2021. And I’m in the Resorts World Arena. I’m there – and I’ve bought my ticket too- to watch The Offspring and the...

RELEASE WEEK ROUND UP: EP CORNER

ANIIMALIA - CAROUSEL I got pretty excited 18 months or so ago when I reviewed Aniimalia’s (and that second “I” is enough to confuse a...

REVIEW : THEN COMES SILENCE – TRICKERY (2024)

Based in Stockholm, Then Comes Silence was founded by Alex Svenson in 2012, originally inspired by frequent touring with A Place To Bury Strangers...

REVIEW: FEEDER – BLACK/RED (2024)

I’m dreadful with surprises. I have to know. So I always look at the setlist before I go to a gig. I did it when Feeder...

REVIEW: MARCUS KING – MOOD SWINGS (2024)

I’ve reviewed a few Marcus King records over the years. In the summer of 2022 I did his last one and said: “This album...

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