| The Killers‘ Brandon Flowers – one of the most influential songwriters of the modern era – will release THRASHER, his first solo album in over a decade, on 21st August 2026 via Island Records. The first single from the album, “Plans“, is out today (26th June) and Flowers has just announced details of a headline tour across North America, the UK and Ireland this autumn, with UK dates including a special show at London’s Royal Albert Hall on 15th October. LISTEN TO / WATCH “PLANS” NOW Recorded in Nashville at Historic RCA Studio A with longtime producers Shawn Everett and Jonathan Rado, THRASHER features many of Music City’s most renowned players, including longtime Gillian Welch collaborator David Rawlings on guitar, prolific and influential pedal steel player Bruce Bouton, and 85-year-old Charlie McCoy, the legendary harmonica player whose signature playing graces all four of Bob Dylan’s iconic Nashville records. Rooted in his formative childhood years in the small town of Nephi, Utah, the timeless sonic approach proves to be the ideal home for Flowers’ most personal and vulnerable songwriting yet. WATCH THE THRASHER TRAILER HERE PRE-ORDER THRASHER HERE Tickets for UK and Ireland shows go on general sale on Friday 3rd July at 10AM BST, with pre-sale tickets available to fans pre-ordering the LP from Wednesday, 1st July at 10AM BST. UK and Ireland shows run as follows, with tickets available from www.ticketmaster.co.uk. Weds 14th October BOURNEMOUTH, O2 Academy Thurs 15th LONDON, Royal Albert Hall Sat 17th BRISTOL, Beacon Sun 18th NOTTINGHAM, Rock City Tues 20th MANCHESTER, O2 Apollo Weds 21st YORK, Barbican Fri 23rd GLASGOW, O2 Academy Sat 24th BIRMINGHAM, O2 Academy Tues 27th DUBLIN, Olympia More about THRASHER… We all know the story, fittingly mythological: a man raised in the seedy glimmer of casinos, destined for rock ‘n’ roll stardom. But before that, Flowers was a teenager in small-town Utah, taken with the new wave and post-punk and Britpop his brother had shown him, yet spending just as much time driving the countryside with his dad and hearing Johnny Cash and Waylon Jennings songs reflect his surroundings back at him. Those seemingly disparate influences have converged in Flowers’ music for 20 years, but he only rarely wrote about that chapter of his life. As he entered his forties, he began reflecting not only on the whirlwind of his adulthood as a rockstar, but also on his formative years in Utah. Ideas swirled, then arrived in the form of the music that first taught him about storytelling. They culminated in THRASHER. Though Americana and Western stylings have often mingled with the alternative traditions in The Killers’ DNA as far back as their 2006 second album, Sam‘s Town, all the way through to 2021’s Pressure Machine, Flowers found that he’d tapped a new, rich vein of his songwriting: “As I‘ve gotten older, I‘ve found my way back to my father‘s music – ‘Country-Western‘ (as he called it) – and discovered that the stories I carry really feel most at home in the skin of this beautiful American tradition,” he says. It was only an idiosyncratically and eternally American form that allowed Flowers to find the grain and gravity he needed. He wrote honky-tonk ragers, highway rambles, and winsome ballads, all lived-in and organic. Much of THRASHERfeatures songs written in persona, thinly veiling stories about Flowers’ friends and family from his teenage years until now, all rendered with the balance of sadness and humour inherent to country music. The album kicks off with “Does It Ever Cross Your Mind?” Buoyed by a loping rhythm and pedal steel, Flowers sings of the happenstance beauty in how the cosmos places us next to the people with whom we spend the rest of our lives. Though each song emerges from love in some form, many catalogue darker events: “One Of Us” acts as tribute to a brother-in-law who suddenly passed several years ago, while “Miss America” slows it down to travel from ’80s shopping mall pageants to fraught early childhood memories. There are classic American parables of lofty dreams-that-didn’t-quite-take in the intimate cinema of the dusty orchestration in “Plans.” Simultaneously poignant and tongue-in-cheek, “Paradise” pulls from Flowers’ extended family working and ageing in the casino ecosystem of Las Vegas. Mariachi horns and sunburnt guitar evocatively conjure the “Red Ground” name-checked in its title, while “Tiger‘s Blood” returns to the Utah glimpsed on Pressure Machine with a seamless blend of THRASHER‘s rough-hewn aesthetic and Flowers’ customary arena-rock scope. In its final moments, THRASHER throws it all together in the phantasmagoric “An American Dream“: Flowers remembers his mom while watching his dad near the end of his life, passes billboards talking about eternity, meets Elvis in a Tesla, and asks him if it was all worth it. Though psychedelic in nature, the song is littered with references to Flowers’ life, a grand finale to an album of aged family photographs and snapshots from across the decades. In the end, THRASHER is a heartfelt and adventurous document of all the people Flowers has known and loved and feared, but also a portrait of a man making peace with himself and the places, sights, and sounds that made him. THRASHER track listing:Does It Ever Cross Your Mind?One Of UsTiger’s BloodPlansParadiseMiss AmericaAngelThe Red GroundIn A HeartbeatAn American Dream |
