Ora Cogan announced today the August 25 release of her new album Formless via Prism Tongue Records. Along with the announcement the cinematic singer-songwriter shares the VHS/Super 8 video for the first single “Cowgirl“,  a haunted acid trip of intense sorrow, deep solitude, and dark nights of the soul. 
Cowgirl” is a psychedelic, country slow jam reckoning with social isolation in grief. The ghostly guitar lines blanket ethereal vocals to create a twilight landscape of deep solitude, setting the stage for show work or a saloon brawl. 
Formless, finds beauty, absurdity, humor, and unlikely joy in the bleakest of times. Cogan’s smoky, psychedelic approach to gothic country and hazy folk merges with post-punk, groove, psych rock, and traditional balladry. With a singular voice as much sensation as sound, Ora Cogan seeks out new realities within the smoke-and-mirrors labyrinth of our cruel society. 
Writing this album was a very much a lifeline… transformative and healing,” Cogan recalled. “Re-calibrating an internal compass constantly thrown off by the magnetism of a deranged world.” 
Raised by a photographer and a singer-songwriter on the islands of Canada’s Pacific coast, where she once again resides, Cogan shaped her approach to music far from big-city scenes. Her childhood home played host to a constant stream of artists as it served as a professional recording studio. Cogan absorbed a myriad of influences from Édith Piaf, Ladino and Rumbetico to Karen Dalton, and American country blues, all feeding into her glacial and cinematic yet tinglingly intimate sound. 
Cogan has been crafting critically acclaimed records for years, earning her festival slots throughout Europe and North America, residencies in Italy and France, and shows with Mazzy Star and Grouper. Prolific and experimental, she’s collaborated with the likes of Frazey FordSkeena Reece, and Mourning Coup, as well as with members of GSY!BE and Big Brave
Formless took form in the abyss of grief and pandemic isolation. “I spent a lot of time wandering aimlessly in the woods with my dog,” said Cogan. The result is an outpouring of ruminations on awkward love, pain, internal struggles, and a fight to find ways to feel good when everything goes bad. 
Recorded in mostly off-the-floor takes with rhythm section David Proctor and Finn Smith on analog tape at Vancouver Island’s Risque Disque studio and co-produced by Cogan and Loving’s David Parry, the album features international guest stars including Cormac Mac Diarmada from LANKUM, who plays strings on “Feel Life,” and a duet with Y La Bamba on “Ways of Losing.” 
Cogan and her close-knit band will support Formless with stateside touring this fall followed by winter EU and UK dates. Her performances offer a vital antidote to the dystopian alienation of modern life, drawing overlapping audiences of folk, goth, pop, experimental, and even noise and punk fans together like some bizarre sonic/social Venn diagram. 
I want to feel good; I want other people to feel good,” she mulled. “My way of getting there is going towards the pain, through the swamps and finding beauty in the ridiculousness of being human. If it hurts, I want to roll around in it a bit before metamorphosing.”
 Formless Track List01 – High Noon02 – Holy Hells03 – Feel Life04 – Cowgirl05 – Katie Cruel06 – Ways of Losing07 – Dyed08 – Drifting09 – Is Anything Wrong
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