As long as I’ve been listening to metal, Doro Pesch has been around for 40 years, an impressive milestone in itself. It scarcely seems believable now, but I recall one of the magazines, Raw if I’m not mistaken, gave away a poster book of “rock babes” when I was a kid, and she was featured in it.
However, I must admit that, despite my familiarity with her name and legacy, I don’t recall ever listening to one of her albums. Her 14th solo release, “Conqueress – Forever Strong And Proud,” is a testament to her enduring prowess in the world of metal and rock. The album takes listeners on a sonic journey that encapsulates the spirit of heavy metal and showcases her unwavering dedication to the genre.
The album kicks off with “Children Of The Dawn,” hitting harder than Manowar’s codpiece. It’s an anthem that unites metalheads, urging them to stand as one with fists raised high in the air. This track feels like a game of metal bingo, checking off all the essential elements. Following this powerful opener, “Fire In The Sky” maintains the album’s high energy, offering a proper Maiden gallop that’s impossible to resist.
In a surprising twist, “Livin’ After Midnight” might catch you off guard. The riff starts, and you might think, “That sounds like Priest,” until you realize it is indeed a cover featuring Rob Halford himself, making it a worthy addition.
“All For You” is a mysterious piece that could be a love song or an ode to the metal community, reminiscent of how Springsteen’s “Bobby Jean” pays tribute to Stevie Van Zandt. “Lean Mean Rock Machine” channels the spirit of WASP, going even heavier and wilder than the band itself. As the album progresses, “I Will Prevail” unleashes a heavy and aggressive sound that will surely satisfy fans of Doro’s more intense side.
“Bond Unending” is a proper duet with Broilers, showcasing her ability to collaborate seamlessly with another artist. It’s a testament to her versatility, and even Avantasia might feel a bit envious.
This album exudes a timeless sound, and “Time For Justice” captures the essence of classic ’80s metal, fitting seamlessly into the modern metal landscape while retaining nostalgic charm. “Fields In Der Brandaug” introduces a touch of classical grandiosity, while “Love Breaks Chains” offers a fabulous hook and a mellower vibe, demonstrating Doro’s ability to infuse emotion into her music.
Where there’s Doro, and where there’s metal, there’s an element of sensuality. On “Drive Me Wild,” if we may paraphrase Def Leppard, the prospect of a rock and roll lifestyle is very much on the table. As a sucker for songs that begin with a solo, “Rise” is truly enjoyable and could easily find a place on a Slash album.
A substantial album, “Best In Me” might be a ballad about metal or a heartfelt plea from the road, but it’s undoubtedly a poignant and moving track. “Heavenly Creatures” continues the theme, offering more of the same in the best possible way, reaffirming Doro’s commitment to her signature sound.
As a daring finale, “Total Eclipse Of The Heart” features the return of The Metal God. Yes, it’s ludicrous, but so was the original, and that’s what makes it entertaining.
The whole album is over-the-top, as it’s meant to be. No one expects this to be stripped down or intimate; it’s meant to be big, bold, brash, and loud, and it absolutely delivers. On “Conqueress – Forever Strong And Proud,” Doro is unapologetically the Queen of metal, and she reigns with authority.
Rating: 8/10
