This world, right now, is nasty and it’s brutal. We’ve got children being murdered and genocide in the Middle East, and you’ve got shit being pumped into the sea over here so shareholders can claim bigger dividends. Holland has elected literal racists to office (at least we just pay ours a fortune to go to the Jungle) and America? Well, they’re going to make America something again.
Is it any wonder 3teeth back with something that’s plain inhospitable? Four years on, getting on, from “Metawar” a record I called “Not pleasant. Not calm. Not fluffy, warm – or in a very real way – even enjoyable in any received sense of the word [but] nonetheless brilliant” comes something that makes that look like pop music (and let’s be honest, 2023 is worse than 2021 give or take a lockdown or two)
The opening track, “Xenogenesis,” sets a foreboding tone with its ominous, post-apocalyptic sound, creating a barren and almost scary sonic landscape. “Acme Death Machine” follows suit, maintaining a desolate ambience that resonates throughout the album.
The wonderful “Slum Planet” plunges into the destructive impact of capitalism, portraying a haunting reality of deformed children under the supposed grace of Corporate Gods. “What’s Left” emerges as a heavyweight, devoid of laughter, akin to rubbing salt into one’s own wounds—an intense experience.
“Merchant Of The Void” throbs with an intensity that conjures images of a 4 am visit to an S&M Club (I’ve never actually been, I’m just assuming here…..)
“Higher Than Death” unexpectedly explodes into an arena-ready chorus before descending into a hellish soundscape, showcasing the album’s dynamic range.
“Ali3n” is brutally honest—it’s not easy listening. “Plutonomicon” is done in whispers, adding an extra layer of menace to the sonic tapestry. The inclusion of Ho99p9 on “Paralyze” introduces a more urban tone, complementing the album’s diverse palette.
“Scorpion” feels like consuming barbed wire—an abrasive and challenging track within the album’s context. “Drift” stands out as a near-ballad, providing a momentary respite amidst the intensity. The reinterpretation of Tears For Fears’ “Everybody Wants To Run The World” showcases Terminals’ unique stamp on 80s pop. This ain’t getting on Swap Shop with Tiny Beard, and in so doing, adding another layer of complexity to this multifaceted album.
In “Endex” 3Teeth delivers an immersive and thought-provoking experience, pushing the boundaries of musical expression across various genres and themes. The album’s ability to seamlessly navigate between intense, ominous, and contemplative moments makes it a compelling listen for those seeking a sonic journey beyond the conventional.
More than that though, it’s as barren a wasteland as you can conceive of. We’re living in Orwellian times. Think of this as sticking a finger up to Big Brother.
Rating 9/10
