Musician and visual artist Kim Gordon will release her highly anticipated second solo album, The Collective, this Friday, March 8th. Today, she offers one more early taste of the album with ‘Psychedelic Orgasm’. A video for the track is also out today, directed by Gordon and musician/filmmaker/producer Vice Cooler. With its quick cuts and upside down tableaus of desiccated pumpkins, giant inflatables and shopping mall escalators, the Los Angeles-set clip is as disorienting as ‘Psychedelic Orgasm’ itself. Watch / listen HERE.
Gordon today also announces UK, European and further North American tour dates. The UK shows will see her playing Koko in London on June 25th and the O2 Institute2 in Birmingham on June 26th. A full rundown of the tour dates can be found below
‘Psychedelic Orgasm’ follows previously released singles and videos ‘I’m A Man‘ and ‘BYE BYE‘, which both star Coco Gordon Moore.
The Collective:
“There was a space in Kim Gordon’s No Home Record. It might not have been a
home and it might not have been a record, but I seem to recall there was a space.
Boulevards, bedrooms, instruments were played, recorded, the voice and its
utterances, straining a way through the rhythms and the chords, threaded in some
shared place, we met there, the guitar came too, there fell a peal of cymbals, driving
on the music. We listened, we turned our back to the walls, slithered through the city
at night. Kim Gordon’s words in our ears, her eyes, she saw, she knew, she
remembered, she liked. We were moving somewhere. No home record. Moving.
Now I’m listening to The Collective. And I’m thinking, what has been done to this
space, how has she treated it, it’s not here the same way, not quite. I mean, not at
all. On this evidence, it splintered, glittered, crashed and burned. It’s dark here. Can I
love you with my eyes open? “It’s Dark Inside.” Haunted by synthesized voices
bodiless. Planes of projections. Mirrors get your gun and the echo of a well-known
tune, comes in liminal, yet never not hanging around, part of the atmosphere, fading
in and out, like she says – Grinding at the edges. Grinding at us all, grinding us away.
Hurting, scraping. Sediments, layers, of recorded emissions, mined, twisted,
refracted. That makes the music. This shimmering, airless geology, agitated,
quarried, cries made in data, bounced down underground tunnels, reaching our ears.
We recalled it – but not as a memory, more like how you recall a product, when it’s
flawed.
She sings “Shelf Warmer” so it sounds like shelf life, it sounds radioactive, inside our
relationships, juddering, the beats chattering, edgy, the pain of love in the gift shop,
assembled in hollow booms, in scratching claps. Non-reciprocal gift giving, there is a
return policy. But – novel idea – A hand and a kiss. How about that. Disruption.
I would say that Kim Gordon is thinking about how thinking is, now. Conceptual
artists do that, did that. “I Don’t Miss My Mind.” The record opens with a list, but the list
is under the title “BYE BYE.” The list says milk thistle, dog sitter…. And much more.
She’s leaving. Why is the list anxious? How divisive is mascara? It’s on the list. I am
packing, listening to the list. Is it mine, or hers.
She began seeking images from behind her closed eyes. Putting them to music. But
I need to keep my eyes open as I walk the streets, with noise cancelled by the
airbuds rammed in my ears. quiet, aware, quiet, aware, they chant at me. What
could be going through Kim’s head as she goes through mine?”
- Written by English artist Josephine Pryde
Recorded in Gordon’s native Los Angeles, The Collective follows her 2019 full-length debut No Home Record and continues her collaboration with producer Justin Raisen (Lil Yachty, John Cale, Yeah Yeah Yeahs, Charli XCX, Yves Tumor), with additional production from Anthony Paul Lopez. The album advances their joint world building, with Raisin’s damaged, blown out dub and trap constructions playing the foil to Gordon’s intuitive word collages and hooky mantras, which conjure communication, commercial sublimation and sensory overload.
