Fat Wreck Chords and pioneers of SoCal Punk NOFX, are pleased to announce the release of their new single, ‘Fuck Euphemism.’ The second track is lifted from their upcoming full-length titled Single Album, due out on February 26, 2021 and available here for pre-order. Watch the new video for ‘Fuck Euphemism’ here and stream the track on all platforms from here.
Speaking about ‘Fuck Euphemism’ to SPIN, Fat Mike comments, “I think it’s a very important song for the conversation with the trans community and the LBGT community. I consider myself queer and a part of it, so I can sing a song like this. I live a BDSM lifestyle and I’m a crossdresser, so it did bother me when people were calling me a cis male. I like the whole thing of defining yourself using your own terms, because I’m a punk rocker first, and then a submissive crossdressing male. The transgender community and the gay community are taking a stance on how we want to be known, and I’m going to be known as a certain way.
But I think the most important thing in this song is that it doesn’t need to be that way, because really you’re just a person. In part of the song, I say “Call me ‘per’ for the night,” where “per” is short for person. It’s a term that Doris Lessing came up within a book called The Good Terrorist, which I read in college in the ’80s. Doris Lessing is a feminist writer, and she had it where, in the future, society called everyone “per” for person. It just makes sense to me. We had to make a lyric video for this song because these might be my favourite lyrics I’ve ever written. Oh what fun it is to write a song that’s completely PC, but sure as hell sounds like it isn’t.”
Nearly 40 years in, what else is there to say about NOFX? And aside from the occasional negative headline, how can one of the pioneers of SoCal punk—a style hardly known for experimentation—surprise anyone these days? The answers lie on Single Album, NOFX’s 14th full-length studio album. There’s the nearly six-minute post-hardcore opener (“The Big Drag”). The meta sendoff for the band’s best-known song (“Linewleum”). The reggae-inflected song about a mass shooting (“Fish in a Gun Barrel”). Even a piano ballad (“Your Last Resort”).
It is, as frontman and bassist Fat Mike repeatedly describes, “a dark album.” That wasn’t the original intent. By early 2020, NOFX – guitarist El Hefe, guitarist Eric Melvin, and drummer Smelly—had written and recorded enough songs for a planned double album to be released that fall. Like so much about 2020, those plans changed. “When you write a double album, you write differently,” Mike says. “I was writing really different songs, and some fun songs, but you have to make a double album interesting enough to listen to the whole way. I wanted to make a perfect double album, and I didn’t accomplish that. So I decided to just make a single album, hence the title.”
Recorded at Motor Studios in San Francisco with Bill Stevenson and Jason Livermore (Rise Against, Alkaline Trio, Teenage Bottlerocket), Single Album pares down the roughly 23 songs NOFX tracked. “I just kept adding songs,” Mike says. “I was maybe a little out of my mind.”
How so? “I was pretty high on drugs that year,” he adds. While fans may wonder what else is new, Single Album casts the frontman’s habits in a surprisingly harsh light. While “Grieve Soto” eulogises beloved Adolescents founder Steve Soto, it takes a meta turn when Eric Melvin warns Mike to be “cautious, more respectful, less obnoxious.””Birmingham” has what people in recovery call “a moment of clarity,” when he realised he was an addict. “I was by myself, and the sun’s coming up, and I’m scraping cocaine off the floor, like, ‘Eww, gross. I shouldn’t be doing this,'” Mike says. “So what did I do? I ordered more.” After being hospitalised with a bleeding ulcer—a terrifying experience that caused him to vomit blood—Mike entered rehab in fall 2020. He promptly wrote another new album while there and has been sober since.
Unsurprisingly, Single Album represents his most personal work to date. Heartbreak permeates “I Love You More Than I Hate Me” and “Your Last Resort. “Doors and Fours” is a grim look into the early ’80s LA punk scene, when dozens of people—many of them Mike’s friends—overdosed on a prescription drug combo. “The Big Drag” is a personal vow to make the most of life, even when it undeniably sucks. “It’s one of my favourite NOFX songs ever. I don’t get sick of listening to that song,” Mike says of “The Big Drag.” “No measure is the same length. Every time a new chord change happens, there’s a different rhythm to the guitar. The bass never stays on one note. You’re not sure when the chords are going to change because they always change at a different point.”
In other words, it’s unpredictable—just like NOFX. Turns out there is a lot to say about them, even after all this time.