REVIEW: GARETH – HALFWAY HOME (2026)

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REVIEW: THE FALL – POST SCRIPT (2026)

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REVIEW: ROBIN TROWER – SHINE (2026)

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REVIEW: THESE WICKED RIVERS – FIRE AND FOLKLORE (2026)

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REVIEW: AMON AMARTH – THE ALLFATHER AWAKENS (2026)

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REVIEW: BLACK WATER REDEMPTION – BLACK WATER REDEMPTION (2026)

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REVIEW : OUR MAN IN THE FIELD  – SILVERADO (2026)

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REVIEW: BLAKE PROEHL – HEARTS DON’T BREAK (2026)

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REVIEW: SPLIT DOGS – NICE N’ ROUGH (2026)

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REVIEW : ECHO & THE BUNNYMEN – APPLES FOR ISAAC (2026)

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50 YEARS ON: TOMMY BOLIN – PRIVAYE EYES (1976)

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REVIEW: CINEMA STEREO – 12:34 (2026)

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REVIEW: TOM MORELLO – EVERYONE GETS EVERYTHING THEY WANT (2026)

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REVIEW: ARTHUR BROWN – NATURE (2026)

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REVIEW: GODSLAVE – GODSLAVE (2026)

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REVIEW: PAIN OF TRUTH – PAIN OF TRUTH (2026)

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REVIEW: FRANCIS ROSSI – THE WAY WE WERE VOL. 2 (2026)

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REVIEW: BEN POOLE – POST MIDNIGHT BEHAVIOUR (2026)

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REVIEW: JOHNNY WINTER – THE WOODSTOCK EXPERIENCE 2CD (2026)

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50 YEARS ON: TED NUGENT – FREE-FOR-ALL (1976)

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REVIEW: EUROPE – COME THIS MADNESS (2026)

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REVIEW: DYLAN GOSSETT – RAMBLIN’ (2026)

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THE DISCOGRAPHY SERIES: GARY NUMAN (PART 4)

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REVIEW: WEDNESDAY 13 – UN-ALIVE FROM POL’AND’ROCK 2025 (2026)

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REVIEW: HACKETT & ROTHERY – THE ROARING WAVES (2026)

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REVIEW:– VELVETEEN QUEEN – THE GREATER GOOD (2026)

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REVIEW: THE JAYHAWKS – SANCTUARY PARK (2026)

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REVIEW: UNCLE ACID & THE DEADBEATS – SHAPES OF MIDNIGHT (2026)

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FROM THE VINYL BARGAIN BASEMENT: THE LONESOME STRANGERS – LONESOME PINE (1986)

Donnie Kemp -

REVIEW: DREW BALDRIDGE – FARM FAITH FAMILY (2026)

Andy Thorley -
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